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~ It isn't always about getting what you want. Sometimes it's about wanting what you've got.

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Tag Archives: fabric

Origami Pockets

13 Tuesday Jun 2017

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design, fabric, origami, pocket, sewing

I’ve always been intrigued by the idea of origami using fabric instead of paper, it’s just one of the many things I plan to explore further one day when I have more time. (I’m not sure when that day will come, but never mind!) So at a recent meeting of my neighbourhood group of the Australian Sewing Guild I took the chance to make a sample origami pocket.

Actually, as folding fabric goes, this is pretty simple. Check out the work of a guy called Jeffrey Rutzky, author of the books Shadowfold and Kirigami. I couldn’t find his website, perhaps he doesn’t have one, but there are plenty of images of his work online and they are amazing.

Our pockets were basically a welt pocket with a triangular opening, and three lips to fill that opening, all different shapes and angles. Mine looked like this:

Origami pocket sample

I wasn’t careful enough about the placement of the pieces, not realising at the time how important it was, so mine has a hole in the middle, all of the lips should actually meet. But, I could turn this into a design feature by making my pocket bag to go behind it from some contrasting material, and make it look as if it was intended to be that way!

I did a quick Google search but I couldn’t see a tutorial for making these particular pockets. I think originally they may have been in a Threads magazine article. There is a YouTube video of a guy called Arif Khan making what looks roughly like the same thing, only he uses knit fabric, which I think adds another layer of difficulty. There are also lots of other ideas for decorative and original pockets, room for yet more experimentation and play. What’s your favourite?

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Transfer Dying Workshop – the sequel

02 Wednesday Mar 2016

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colour, design, fabric, ideas, transfer dyes

As if to prove that prior preparation and planning cannot always be relied upon, the result of the workshop was a little mixed. There were, as always, variables which I had not foreseen.
The first of these was that the colours are very hard, not to say impossible, to predict. We first did a test strip, using the neat dyes, about 8 different colours. We painted a small circle of each color on a strip of paper, and hurried off to test it on our fabric. Not too hurriedly, the dye must be dry on the paper before transferring it to the fabric. My results:

test strip of dyes and colours

Test strip

As you can probably see, the colour of the dye on the paper is quite different to the colour on the fabric. And I think that on a different fabric it would be different again, so there is no substitute for trying the colours you want on the fabric you are going to use. We then did some more tests, this time mixing two colours together:

test strip of mixed dye colours

Mixed colours

Again, the result on fabric is not very much like the dye on the paper!

We then went on to experiment with different ways of creating designs, and it seems I didn’t take any more pictures. However, I did get some dye put onto fabric, which possibly might end up as a garment at some point. I also came home with some sheets of paper with dye already applied, which I should be able to use somehow.

There are lots of ways of getting colour onto fabric using these dyes, some of which I would not have thought of. You can be straightforward, and paint a picture or design onto the paper, and transfer it onto the fabric. Naturally if you do this the image is reversed, so care is needed if  you are using text.

Alternatively, you can cover the paper with dye, then cut shapes out of it to create a design on the fabric. You could create sheets of flat colour, or mix dyes to a greater or lesser degree to add texture and depth. You can cut out a single shape, like a stencil, or build an image using multiple shapes like a collage. The shapes can be a single colour, patterns or textures. Then you can always print over the top of an existing print with another. A second print made from the same paper will be less bright, but can still be attractive. When you have exhausted the possibilities of transfer dying you can move on to painting with regular fabric paints, or stitching. Really, there is endless scope. The only thing not endless is the amount of time available for all this creativity! However, always optimistic, I am getting together with some other members to buy some dyes, we are going to share them among us so that none of us is too overburdened by yet more stuff!

The dyes come from KraftKolour.

I’m sure I shall find a use for the dyes at some time in the future, apparently they keep for ages, so I have plenty of time. And I am never going to be bored!

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Prior Preparation & Planning Prevents Poor Performance?

18 Thursday Feb 2016

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design, fabric, ideas, workshop

I’m excited to be going to a workshop on heat transfer dying with Angela Ferolla this weekend. Angela teaches at the Fremantle Arts Centre, among other places, and I’ve done other workshops with her before. This one is being run by my neighbourhood group of the Australian Sewing Guild.
In preparation I’ve been trying to come up with some designs to put onto fabric, with the idea of being able to use the fabric for something afterwards. I find often that going to workshops results in a bunch of samples of different techniques, but I tend to bring them home and put them in a drawer, and never end up doing anything with them. I’d really like to be able to come home with a piece of fabric that would be useful, to go into a garment, although to be fair that’s not what the workshop is designed for, it’s supposed to be an opportunity to learn new techniques. However, I think that if I put some thought into it beforehand, I ought to be able to use the new techniques to create a coherent piece which I can then transform into a garment. I’ve sorted out two or three potential bits of fabric from my stash, all a metre or two long, although the requirement list says ‘A3 or bigger’. This in itself was a bit of a challenge, since the dyes only work on synthetic fabrics, and my stash tends strongly towards natural fibres. I had one piece in mind which I was unsure about, but when I did a burn test I’m pretty sure it’s natural, probably rayon, which is no good. I’ve always found the burn test difficult to carry out successfully, I’m not sure why, but there was a definite smell of burning paper, which doesn’t seem like the fabric is synthetic.
I also spent some time playing with some images, although I chose to focus just on shapes rather than colour, because I didn’t have any of the dyes to practice with, and I’m not sure how their colours will relate to watercolours or acrylics, which I do have. I looked out some photos I’d taken at my daughter’s property, and found this shot of old fence wire, which I think has potential.
coils of old fence wire
There was also this, a just-opening agapanthus flower head.
partly opened agapanthus flower head
It remains to be seen whether I actually use either of those images, and whether I manage to come home with a usable piece of fabric!
Another shot from the country
sheep and puppy

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Tricky Corners

29 Thursday Jan 2015

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fabric, handmade gift, learning, mitred corners, quilting, sewing

I’ve been making a quilt for my daughter, to mark the occasion of her moving into her own place. A kind of housewarming quilt, based on the log cabin pattern, which I believe was traditionally used for such quilts. It was also partly inspired by a quilt I saw in the book East Quilts West, by Kumiko Sudo. I’m pleased with the way the top came together, and the quilting, which I did freehand with the machine. And I must have got the basting pretty right too, since I got no wrinkles at all when I did the quilting. When I came to the binding though, a different story!

I wanted to do a double fold bias binding, at least I think that’s what it’s called, and I went straight to the first tutorial I found – How to bind a quilt with mitred corners and invisible joins, by MadebyMarzipan. It looked straightforward, so off I went.

I cut the binding, joined the strips, pressed, and stitched all around the edges of the quilt, all eight metres of it. Then I sat down to hand stitch the folded edge in place. I was still going well until I reached the first corner. It’s a disaster. I’m not sure why, but mine doesn’t look anything like the video. The only explanation I can think of is that I chose to make a wider border, about one inch wide finished, whereas the video shows a much narrower binding. I didn’t think it would make a difference, but apparently it does. So, my corners look more like the ends of rugby balls than neatly mitred corners. As usual, I was trying to get the quilt finished at the last minute, and no way was I going to unpick all eight metres of binding to try a different way, so the corners have stayed like rugby balls.

Next time, if I ever make another quilt, I will try the binding out on a practice piece first, to make sure that the corners will work. I might even have a go with strips of paper, since I’m sure it’s got to be a principle of geometry that has let me down. But I find it really hard to envisage without actually doing it.

Other than the corners, the quilt was a success, and well received. I was so last minute in finishing it that I haven’t yet taken any pictures, but when I do, I sure won’t be including the corners!

Another thing which I did photograph, because it came out pretty well, was a Thermomix cover I made, again for the same daughter. I had found some fabric which goes with her monochrome apartment, and also her love of travel, so here it is.

Thermomix cover

Thermomix cover

IMG_2617

Interior, I went with a splash of colour here.

I used a pattern I bought online, from The Pattern Emporium. I’m pretty pleased with it, but a Thermomix is obviously bigger than I thought. The pattern says that it will fit an average overlocker as well, so perhaps when I get my sewing space organised I’ll make matching covers for my machine and overlocker. It also has useful pockets on the sides for accessories etc., which is another idea worth pursuing.

 

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Handmade Christmas sewing gifts

17 Wednesday Dec 2014

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Australian Sewing Guild, embroidery, fabric, gift, handmade, sewing

Our group of the Australian Sewing Guild had the last meeting for the year on Sunday, and had a Christmas gift swap. I always like to make something for these swaps, and so this year I did a needle book, following a tutorial by Nana Company.

It uses some tiny bits of fabric, 1.5 inch squares, so I was easily able to find some in my scrap box. Actually I think I have enough scraps in the scrap box to make at least a hundred of these, but that’s probably not going to happen! I had to buy some flannel, or at least it was flannelette, to use for the pages, and I bought pale blue instead of the more usual white or cream. There was white in the shop, but although they were both labelled the same the blue was definitely thicker, so I thought it would be better. Not sure of the difference between flannel and flannelette, I guess the latter is probably just thinner. I was quite pleased when it was done, but what doesn’t really show in the photos, but does in real life, is the fact that I originally put the transfer of the word ‘Needles’ on the wrong way up, so the wording was reversed. I turned the fabric over, and did it on the other side, but the mistake does show a bit, and I should have just cut a new piece of fabric instead.  A lesson in being more careful, even if it is late at night!

Here are some photos:

Handmade needlebook

Needlebook 1

Inside of needlebook

Needlebook 2

Outside back and front

Needlebook 3

Back of needlebook

Needlebook 4

Close up

Needlebook 5

Another member made some really cute sewing weights, which is something I’ve never used, I always pin my patterns. Sometime though I’m going to make myself some and give them a try. I remember long ago a reader of Threads magazine wrote that she used hockey pucks as pattern weights, because ‘they were readily available at garage sales’ in her neighbourhood. Not in Western Australia they aren’t! But the ones I saw on Sunday had fishing weights inside them, that’s what’s readily available around here! I’m going to be interested to try out the difference between pinning patterns and using weights.

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Two very different projects

20 Thursday Jun 2013

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design, fabric, project, sewing, writing

Two projects currently on the go. Actually there are more, but these two are centre front!

First, the automatic gate opener. I bought this some time ago, and started installing it, and it’s still not finished. The first part of the job was to re-hang the gate so that it would open and close smoothly, or, as the instruction manual had it, ‘oscillate fluently’. Having done that, best part of a day’s work, we then had to wire up and instal the solar panel, battery and motor. The instruction manual, which was so eloquent when it came to describing the movement of the gate, was sadly slightly obtruse over the details of the wiring. Like many things, I’m sure it would have been OK if I knew what I was doing, but since I didn’t ….

However, I have since been emailing the technical support guys, and I think I know what I have to do. Just have to find time to do it, in daylight. At least we got the battery connected to the solar panel, so it should have been charging over the last few days, although it doesn’t seem as if the battery is fully charged yet.

The second project I am on firmer ground with. A friend of my daughter’s just had a (very premature) baby, and I wanted to make a small gift. I found a cute fish here and downloaded the pattern. It’s pretty simple, and I probably could have drawn it myself, but I needed something straightforward. I dug around in the stash to find some suitable scraps of colourful fabric, and I’m halfway there. Will post photos when it’s finished. It might be something that I can get into and get finished within a couple of days, unlike most of the other things I take on.

i got a reply from an online journal that I had submitted an article to this morning, and got excited when I saw the subject and sender in my email inbox. Short lived excitement though, ‘thank you for the opportunity to read the piece, it is not for us’, or words to that effect. I can’t remember now how many submissions I have out there, but I’m sure I should be doing more, there can’t be many left that I haven’t heard about. How many at one time is a good number, I wonder?

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